The Craft of Writing for Film and Television: 2014


April 11: Fargo Regained
How does one begin to reimagine a film classic like the Coen brothers’ Fargo for television? For novelist and new showrunner NOAH HAWLEY, the answer was in a name – Mike Yanagita.

April 4: Just Like Magic
On the heels of their Sundance Grand Jury Prize winner Like Crazy, BEN YORK JONES & DRAKE DOREMUS get all grown up with an adult tale of untenable love and shattered middle-aged dreams in the new drama Breathe In.

March 28: Making Forrest Run
ANDY DALY, star of Comedy Central’s new mockumentary series Review, outlines the rules to writing his character Forrest MacNeil, a critic who rates life experiences like addiction, racism, and making a sex tape with dark and entertaining results.

March 14: Life After Mars
ROB THOMAS talks about how Veronica Mars’ stunningly successful, record-breaking Kickstarter campaign affected his creative approach to the big screen adaptation of his TV cult classic.

March 7: It Girl
LENA DUNHAM’s rocket launch into the pop cultural heavens might have left a trail of detractors in her wake, but the Girls writer, director, and star says she already knows what the haters are saying because she’s said it first.

February 28: Red’s Black Heart
The Blacklist’s JON BOKENKAMP describes the largest difference between writing features and TV and what makes a murderous psychopath such as James Spader’s “Red” Reddington so likeable.

February 14: A Love Letter to the Lost
The sudden, tragic death of AKIVA GOLDSMAN's wife paralyzed the Oscar winner, but a passion project helped him find his way back to writing - his deeply felt adaptation of the novel Winter's Tale.

January 31: Black Diamond
Novelist NIC PIZZOLATTO makes use of his outsider’s perspective to bring a fresh depth to HBO’s new hit series True Detective, a darkly existential crime drama featuring Matthew McConaughey and Woody Harrelson.

January 17: An Orange By Any Other Name
JENJI KOHAN addresses racial stereotypes on Orange Is the New Black and offers her opinion on whether the new world of binge-watching streaming content will affect how shows are written.

January 10: The Road to Sitcom Hell
Episodes’ DAVID CRANE & JEFFREY KLARIK riff on why they’re still scripting the Hollywood-skewering comedy all by themselves and why they’ll never, ever, go back to writing for network.

January 3: Alone in a Dark Corner
PETER BERG sidesteps politics to salute Marcus Luttrell and the fallen Navy SEALs of Operation Redwing in the visceral, brutal tale of grit and courage Lone Survivor.

The Craft: 2013 Archives