Television Credits Procedures Guide

This is a ready reference for writers and staff members who propose writing credits, prepare and submit NTWCs to the Guild for Guild signatory production companies, and gather materials for credit arbitrations on episodic series and long-form television motion pictures (including direct-to-DVD project).

DOWNLOAD TELEVISION CREDITS PROCEDURES GUIDE (.pdf)

Table of Contents

A. Notices of Tentative Writing Credits
1. The NTWC
2. Team Writing
a. Application to Collaborate
b. Certificate of Compliance
c. Team Waivers

B. Arbitrations

C. Cover Pages on Literary Material

D. Waivers

E. On-screen Placement of Writing Credits

F. Conclusion

Sample Forms
i. Television Notice of Tentative Writing Credits
ii. Application to Collaborate
iii. Certificate of Compliance
iv. Literary Material Submission Cover Letter
v. WGA Cover Page


Television Credits Procedures

The following is a ready reference for writers and staff members who propose writing credits, prepare and submit Notices of Tentative Writing Credits (“NTWCs”) to the Guild for Guild signatory production companies, and gather materials for credit arbitrations on episodic series and movies-of-the-week (“MOWs”). It addresses many of the questions and issues which may arise with respect to writing credits in television.

For your convenience, we have cross-referenced provisions of the Theatrical and Television Basic Agreement (“MBA”) from Television Schedule A (“TVSA”), which governs episodic television and MOWs, Television Schedule C (“TVSC”), which governs comedy/variety, daytime, and children’s programs, and the Television Credits Manual.

This is not intended to, and it does not, replace the MBA or the TVCM.

A. NOTICES OF TENTATIVE WRITING CREDITS

(TVSA, ¶¶10 – 17)

The NTWC is one of the most important documents a writer will receive. It serves several important functions for the Guild, the writer, and the Company. It is therefore imperative that the NTWC is properly completed and sent to the participating writers and the Guild. A sample of the NTWC is attached.

It is important to understand the purpose of the NTWC. For the Company, the filing of the NTWC sets in motion the mechanism for determination of credits so that the credits can be finalized in a timely fashion. From the writer’s perspective, the NTWC advises of the proposed credit and the deadline to register a protest of such credits or to elect to use a pseudonym.

For the Guild, the NTWC offers an opportunity to ensure that the proposed writing credit and any and all source material credit comply with the mandates of the MBA and Guild policy. The NTWC also advises the Guild of the participating writers and production executives on a given project and sets forth the information needed to determine whether the automatic arbitration provisions of the MBA are triggered by the proposed credits.

1. The NTWC

(Form, TVSA, ¶25.)

The NTWC must be submitted to the Guild and to all participating writers as soon as practicable following completion of principal photography.

(TVSA, ¶11.)

Before submitting the NTWC to the Guild and to the participating writers, check to ensure that you have done the following (the applicable areas are indicated on the attached form):

A. List the date on which the NTWC is sent to the Guild and the participating writers. Remember: this is the date on which you actually send the NTWC out to the recipients as opposed to the date on which the NTWC is prepared.

B. List the names and addresses of all participating writers at the top of the NTWC. (TVSA, ¶10; TVCM, pg. 4-5.) Remember: you must list the names of all participating writers, even if they are not proposed for credit.

A “participating writer” is a writer who has participated in the writing of the teleplay or a writer who has been employed by the Company on the story and/or teleplay or a “professional writer” who has sold or licensed literary material subject to the MBA. (See Article 1.C.1.a. of the MBA for the definition of a “professional writer.”)

Note: the NTWC must be sent to the writer unless s/he has a contract provision directing the Company to send the NTWC to an agent and/ or other designated representative(s). Also, the NTWC must be sent via Certified Mail/Return Receipt Requested, messenger, or some other independently verifiable means. (TVSA, ¶¶ 12 and 16.) E-mail is not considered an independently verifiable means.

C. List the name of the series or program, episode title (if applicable), and production number. In the case of a pilot or MOW, be sure to list the length of the program and the network.

D. List the name of the production company and the names of all production executives on the program. Remember: this includes all producers, the director, story editors, etc.

E. List the proposed on-screen writing credit. Be sure to include the form of credit (e.g. “Written by”, “Teleplay by”, etc.). (TVSA, ¶¶1 – 2; TVCM, pp. 18-24.) Be sure the credit is in the correct order, as it will appear on screen. (TVSA, ¶7.) Remember: in television, “teleplay” credit always precedes “story” credit.

Writers may only be credited in the manner set forth in the MBA. For example, the credit of “Staff Writer” cannot be used without a waiver because it is not one of the forms of credit allowed under the MBA. Likewise, combining credit in the form “Produced and Directed by” violates the placement provisions of TVSA, ¶7.

Note: on a program governed by TVSC (e.g. comedy/variety programs), any writer who furnishes literary material is entitled to on-screen writing credit. This is so even if the writer’s material is not used. (TVSC, ¶1.a.)

Note: an ampersand (“&”) is used between the names of writers who worked as a team on the program in question. The word “and” is used between the names of writers who did not work as a team.

F. Include any source material credit (e.g. “Based on the Novel by”) on the NTWC. (TVSA, ¶¶2, 11.) Note that, generally, the word “Novel” is used to denote a work of fiction and the word “Book” is used to denote a work of non-fiction.

G. Include any continuing credit (e.g. “Created by”, “Developed by”) on the NTWC. (TVSA, ¶23.)

H. Send a copy of the final shooting script to all participating writers, including those who are not proposed for credit. (Article 13.B.8.f.)

I. Properly calculate the date on which the proposed credits become final absent a protest. (TVSA, ¶13.) Remember: generally, the credits become final seven business days from the date the NTWC is sent to the Guild and the participating writers; this time may be shortened to three business days if a good faith emergency exists requiring an earlier determination and it is requested on the NTWC. If the automatic arbitration provisions apply, “Automatic Arbitration” should be written in place of a final date.

J. Make sure the NTWC is signed by an authorized representative of the Company. Also, legibly print the name of the representative and provide the name, address, and telephone number of the company submitting the NTWC.

2. Team Writing

For team writing, certain forms must be submitted either prior to, or in connection with, the NTWC. These include the following:

a. APPLICATION TO COLLABORATE: This is required when a production executive writes in collaboration as a team with a non-production executive writer. The Application to Collaborate should be submitted to the Guild before commencement of writing by the team. (TVCM, pg. 2.) A sample of the Application to Collaborate is attached. Remember: “production executive” includes all producers, the director, story editors, etc. Non-production executive writers include staff writers, but do not include story editors.

b. CERTIFICATE OF COMPLIANCE: This is also required when a production executive writes in collaboration as a team with a non-production executive writer. The Certificate of Compliance should be submitted to the Guild upon completion of writing by the team. A sample of the Certificate of Compliance is attached.

c. TEAM WAIVERS: This is required for a writing team of more than 3 people. (See Article 13.B.1.b defining “team.”) Waivers must be requested and approved in advance of services being performed. Call the Contracts Department at (323)782-4508 to request a team waiver.

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B. ARBITRATIONS

Generally, a credit arbitration is triggered by the timely receipt of a protest by a participating writer or the Guild. (TVSA, ¶14; TVCM, pg. 4–5). In the following situations, the MBA provides for automatic credit arbitration:

1. When a production executive is proposed for writing credit and there are other non-production executive participating writers. (TVSA, ¶5; TVCM, pg. 24.) Remember: “production executive” includes all producers, the director, story editors, etc. Non-production executive writers include staff writers, but do not include story editors.

2. When a “Television Story by” credit is proposed. (TVSA, ¶2.c.; TVCM, pg. 19.)

3. When a “Developed by” credit is proposed in addition to a “Created by” credit. (TVSA, ¶23.b.)

4. When three writers are proposed for “Written by” or “Teleplay by” credit. (TVSA, ¶3; TVCM, pg. 18 and 20.) (Remember: a team is considered a single writer.)

In the case of an arbitration, the following must be submitted to the Guild as soon as possible (upon receipt of a protest or concurrently with the NTWC in the case of an automatic arbitration):

1. Three copies of all literary material submitted to, or acquired by, the Company by all of the participating writers and any source material. (TVSA, ¶15.) Remember: literary material includes beat sheets, outlines, stories, treatments, scripts, formats, etc. Source material includes material that has been previously exploited and any material not written under the Guild’s jurisdiction.

2. A transmittal letter which identifies each piece of literary material by author and date. A sample transmittal letter is attached. For a description of the credit determination process, please refer to pages 4–16 of the TVCM.

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C. COVER PAGES ON LITERARY MATERIAL

It is important that the cover pages on all literary material comply with the provisions of the MBA. The provision covering names on literary material is Article 37 of the MBA which provides in relevant part as follows:

Upon commencement of pre-production, Company shall place the name of the initial writer on literary material written hereunder, following which the word “revisions” shall precede the names of all subsequent writers.

A sample of the proper form for cover pages is attached.

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D. WAIVERS

In the following situations, a waiver is required from the Guild before a particular credit can be accorded:

1. For the following credits which may be given in lieu of “Story Editor” credit: “Creative Consultant,” “Script Consultant,” “Executive Story Editor,” “Executive Story Consultant,” “Executive Story Supervisor,” and “Executive Script Consultant.” (TVSA, ¶30.) (Note: “Story Consultant” and “Story Supervisor” may be given in lieu of “Story Editor” without a waiver.)

2. On an episodic series, for a “Staff Writer” credit. A waiver for the “Staff Writer” credit will only be granted if the writer(s) proposed for such credit, if employed in a subsequent season, are employed under Article 14 of the MBA (“writer in additional capacity”).

3. On Television Schedule C (e.g. comedy-variety) shows only, for “Writing Supervised by” or “Special Material [written] by” credits. (TVSC, ¶2.a.(4).)

If you require a credit waiver, please contact the WGAW Credits Department at (323) 783-4528 to request one. As set forth above, a waiver must be requested from the WGAW Contracts Department at (323) 782-4508 for a writing team of more than 3 persons.

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E. ON-SCREEN PLACEMENT OF WRITING CREDITS

The following general rules govern the on-screen placement of writing credits:

1. The writing credit, in general, must appear on a separate card contiguous to the credit to the director. (TVSA, ¶7.c.) Alternatively, the writing credit may appear on the same card as, or a separate card immediately contiguous to, the card with the title of the episode or program. (TVSA, ¶¶7.a. and 7.b.)

2. The “Teleplay by” credit always precedes the “Story by” credit. (TVSA, ¶7.) The teleplay and story credits may be on either the same card or separate cards.

3. The “Created by” credit must appear on a separate card contiguous to the writing credit. With the writer’s written permission, the “Created by” credit may appear on a separate card immediately following the main cast of actors in the main titles. (TVSA, ¶23.) No other placement of the “Created by” credit is permitted without a Guild waiver.

4. The “Developed by” credit must appear on a separate card contiguous to the “Created by” credit. No other placement of the “Developed by” credit is permitted without a Guild waiver.

5. The writing credit generally appears in the main titles on a separate card preceding (but not necessarily immediately preceding) the source material credit. (TVSA, ¶7.e.) The source material credit generally appears in the end titles. The Guild will also grant a waiver for the source material credit to precede the writing credit in the main titles. Please contact the WGAW Credits Department to request such a waiver. (See also TVSA, ¶¶7.e.(1) & 7.e.(2) for exceptions to the rule that the writing credit precedes the source material credit.)

Of course, you should carefully review the applicable MBA provisions, including those set forth in Television Schedules C and D, to ensure proper on-screen placement of all writing credits.

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F. CONCLUSION

We hope that the foregoing is helpful. You are encouraged to review and become familiar with MBA provisions set forth above and all of the television credits provisions, which generally can be found in Television Schedule A for episodic series and MOWs, Television Schedule C for children’s and comedy-variety programs, and Television Schedule D for documentary programs. Also, you are welcome to contact the WGAW Credits Department at (323)782-4528 if you have any questions or concerns not addressed in this handout.

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SAMPLE FORMS

Television Notice of Tentative Writing Credits

Application to Collaborate

Certificate of Compliance

Literary Material Submission Cover Letter

WGA Cover Page

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